Home > California, Napa, Sonoma, Wine, Zinfandel > Andrew Bird, The Jack of Hearts, and DeLoach Zinfandel OFS 1997

Andrew Bird, The Jack of Hearts, and DeLoach Zinfandel OFS 1997

DeLoach Zinfandel OFS 1997 is yet another example of a reasonably priced old vine CA zinfandel that proves what an underrated varietal it is for aging. While it’s almost cheating to bring up Ridge– well-known makers of some of the finest aging zin that’s ever been bottled- a ’94 Ridge Geyserville was once the crowd favorite at a tasting I held of CA heavyweights and I have been an advocate ever since. This DeLoach OFS ’97 (a growing season of high yields and excellent quality) was deliberately made in a more traditional style that the winery had retreated from in the mid-’80s in attempts to produce a younger drinking crowd-pleasinger bottle. The timing couldn’t have been better meteorologically and what remains today is braving the years with fortitude.

Another compelling iphone 3G pic.

While getting to know this bottle of DeLoach Zinfandel OFS 1997, I’m listening to an entire itunes library on shuffle, the one on a decade-old imac, which once ran the office of my defunct publishing company, but now only functions as a jukebox and DVD player. I’ll skip the gratuitous Dylan reference today even though the alternate (original) version of “Lily, Rosemary, and the Jack of Hearts” is just fading out. On however to Andrew Bird, “Tables and Chairs” off of his breakthrough album, Andrew Bird & The Mysterious Production of Eggs. It’s a heavy-minded, light-hearted, off-kilter glimpse of a post-apocalyptic playground: think Fight Club meets SpongeBob, aesthetically. Individually, the lyrics and spritely flowing orchestration of the melody are more than minor paradoxes. Together they make up a textural menagerie that’s like the structure of a Beach Boys tune (sad lyrics over happy music) with a head full of DMT. The beauty of Andrew Bird’s best work- which is most of it- is that one can get lost in the music alone, which is crushing when one ponders the depths of his stories. This is why Andrew Bird has been my platonic man-crush ever since Beck‘s records started to suck; a Sea Change indeed.

For an inexpensive wine, this ’97 DeLoach Zinfandel OFS, with proper aging and now a decent amount of air in it, is still as weighty as one might imagine, but it’s got a supple roundness to it that is more than what could have been hoped for, and depth to spare. There’s been some softening, visually, and of the raspberry and cherry, which make up the majority of this wines fruit profile, but it is not yet thin in the middle. Not relenting are the pronounced cedar, pine tar, dry forest floor, hearty herbs- rosemary, and a touch of menthol, hanging down around the 14.5% alcohol, which will always be present. For a non-luxury (industry code for ‘over-priced’) cuvee, this wine over delivers, but that’s part of the magic of old vine CA fruit, particularly from a banner vintage.

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