Archive
No means yes… in wine shopping.
Hey Free Rangers,
First, for those who have asked (and thank you for that), while it’s not a complete archive, there is a MailChimp page that displays our 20 most recent e-mails (all previous sales have expired). I do also have a (somewhat neglected) blog, on which I have *tried* to log these messages. There are many other entries from years of its original incarnation as a mishmash of wine, restaurant, and music reviews: www.WineGeist.net. [Obviously, you know about the blog. You’re reading it. Thanks!] Unfortunately, I’m old enough that the vast majority of my published work appeared in physical magazines, before all content was a multi-media simulcast, remaining in clickable suspended animation indefinitely. And for those of you who specifically did not ask, thanks for bearing with an indulgent moment. We now return to your regular program, already in progress…
Why do so many people want to tell you ‘no’ in response to a simple question, when their intent is quite clearly, directly ‘yes’? All obvious innuendo aside.
Example:
Me: Hey, how are you? Is there anything I can help you find?
Customer: No… Just looking for a dry rosé.
So, would this individual like assistance in finding a dry rosé or would they prefer to be left alone, but really want me to know what they’re looking for, so I can seethe with frustration, as I watch them stroll right by the location in our shop where the item(s) in question live? Often the response to my face value query is even less vague, going directly from ‘no’ into what can only be construed as a question:
Me: Any questions about any of this stuff?
Customer: No. What sorts of Bourbon do you have?
Me: You know that’s a question, right?
As I’m writing this, Derek asks a guy if he has any questions, to which he replies, “No, I’m just looking for a gin,” and then asks a direct question about our gins. When ‘yes’ and ‘no’ cease to have constant meaning in the same mode of communication, we’re well beyond Bill Clinton territory, and are deep into Newspeak. It’s a horrifying thing, the destruction of words. Basic verbal communication has become a laborious endeavor, deeply fraught with inherent conflict. It’s double-plus un-good. On tougher days, I like to turn and walk away upon the ‘no’ and am often out of the room by the time they turn around to look at me, in the middle of the question that follows. I’d feel bad about how hard I’m giggling in back, except that I had just been lied to, for no reason at all, which makes it okay. Under Bush the Elder, Robert Anton Wilson referred to the art of saying that which is not, as “Old High Bullshit”, not be confused with “Middle Low Horseshit”, which seeks to use language to say nothing at all. But that level of deception by the orator is deliberate, and insidious. Somehow, when there is no ill intent at its core, the removal of all traditional linguistic bulwark seems even more dangerous. (Literally.) The basic structures of what’s left of American English, along with the structures of civilized society, are exponentially (and existentially) beyond the looking-glass. Fake News! Jabberwocky/Bandersnatch 2020!
[imagine seamless segue about here]
Ridge Vineyards is one the most classic, most iconic American wine labels, and that stylish label text has looked the same since the early ‘60s. Ridge is most famous for their old school Bordeaux style blend from their Monte Bello Estate which ages as gracefully as any wine in the world, and has become quite expensive, and rather difficult to acquire. But as old vine zinfandel is one of the most quintessential of CA red, it has always been in Ridge’s zin based blends that I have found the greatest intrigue and value (though they too have been getting pricier). I genuinely don’t believe you can a have a decent wine shop without at least one Ridge label on the shelf; we have lots. Their juice is unquestionably delicious, and historically significant, but I’d also argue that Ridge labels are as visually timeless and distinct as Domaine Romanée-Conti, the granddaddy of all Burgundy.
Lytton Springs Estate is Ridge’s primary Sonoma property, which is home to 100+ year old zinfandel vines, interplanted with Petite Sirah, Carignan, and small amounts of Mataro (Mourvedre) and Grenache. You can’t fake 100 year old vines, and they consistently produce deep, dark wines of complexity and character. Normally long sold out from the distributor before the next vintage arrives, this year of the zombie apocalypse has found them with an ample supply of the 2017 vintage, as the 2018 is about to be released in our market. We took full advantage of the 10 case discount and while full retail price on this lovely beast is officially over $50, we can do quite a bit better for you. How does $39 per bottle sound? Perhaps you’d prefer a 6-pack at under $35/btl w/ a FREE wine tote, and a FREE bonus bottle from my personal collection (which could be literally anything)!
(!) CLICK HERE to access the hidden sale page (!)
Ridge Lytton Springs 2017
sale: $39 retail: $49
6-pack Ridge Lytton Springs 2017 + FREE BOTTLE from my personal collection (+ free wine tote)!
sale: $209 ($34.83/btl) retail: $294
*** This week only, as supplies last! ***
* No other discounts apply.
Cheers,
Jack
Proprietor
Free Range Wine & Spirits
Down and Out on Atlantic Avenue
Hey Free Rangers,
The (whiskey) bottle hunters are back, and I’m not handling it well. Also had a non-masker be fairly aggressive with us (and a couple of customers), who later came back with a mask, seemingly attempted fraud, and then removed said mask to make a phone call at the counter, as a line began to form. Contrary to what some may believe, I take no joy in telling someone to get out and never come back (particularly in front of other customers), but that’s how this one ended, after some fairly predictable expletives were exchanged. It was a bit of a crazy moment, so I can’t be certain, but it seems as though this was also the source of the knife that was abandoned on our sales counter. Eight years into our 15 year lease on Atlantic Ave, and things have never been weirder. May we live in interesting times, indeed.
But back to the bottle hunters: If you’ve ever gone into a shop, spent 20 minutes telling the shopkeepers stories about bottles you’ve bought elsewhere, only to walk out without spending a penny, you’re probably not as decent a person as you think you are. If you’ve done this during a global pandemic, you’re very likely what my bluntest uncle used to refer to as BAM (basic asshole material). We have a genuinely sweet, conscientious landlord (which is rare in this town), but even she won’t accept a story about the $800 you spent on 2 bottles of Willett XCF– in another state- in lieu of rent. This kind of guy will never understand why he doesn’t have access to our rarest stuff, or favorable (negotiable) pricing. Spending ten bucks vs. zero really is the difference between being invited to receive our unpublished e-mail sales, and not.
The same week, a customer came in looking for a few serious bottles of the brown stuff for a wedding-related event. He was friendly and inquisitive, we had a nice conversation, I pulled quotes on all sorts of rare items that aren’t on the web site, and we talked about the differences, and scarcities. In the end he selected 4 rare American whiskeys, for which we took $250 off his bill. I’m a collector turned retailer and really just want our rarest bottles to go to good homes. We’re like a dog rescue, but for whiskey.
To run with the metaphor, would you let a guy adopt a dog who tells loud stories about other dogs he’s known without ever looking at the animal you’re fostering? To sit, shake, lie down, and rollover with that metaphor… well, you get the picture. In honor of all those bottle hunters who are not on this e-mail list, check out the bottom of this note for some serious discounts on rare bottles.
This week’s Open Hours remain the same:
Mon – Thurs: 1 – 7pm
Fri – Sat: 1 – 8pm
Sunday: 1 – 7pm
Always worth a call, if you think it’s getting late: 718.643.2250
NOTE: THIS SALE IS OVER, to receive e-mail sales directly from Free Range Wine & Spirits, please enter your e-mail address at the bottom of the front page on our site: www.FreeRangeBrooklyn.com
This week only! sale: retail:
Elijah Craig Free Range Single Barrel 8yr $29 $36
Writers Tears gift set $37 $44
EH Taylor Small Batch Bourbon $49 $56
The Clover 10yr Tennessee Straight Bourbon $69 $85
Henry McKenna Bourbon 10yr** $69 $89
Blood Oath Bourbon Pact No. 6** $109 $129
Yamazaki Single Malt 12yr $115 $135
St George Single Malt The Baller** $89 $149
Hakushu Single Malt 12yr $149 $185
Dalmore Single Malt 18yr** $195 $249
Hakushu Single Malt 18yr $425 $525
** limit 2 bottles per customer
Cheers,
Jack
Proprietor
Free Range Wine & Spirits
Sigmund Fraud (sp?, we know)…
Hello Free Rangers,
It’s humid, it’s stormy, our AC bills are through the roof, and we seem to be spending two thirds of our workday pulling people out of the refrigerator. Yup, it’s summer (in and out of the bottle). This was a fun one: A well-dressed woman comes in with a large stroller, and a walking, talking, fully coordinated child (too old for a stroller?). She parks the stroller blocking the front door, takes things out of the refrigerator that she then asks us to put back, allows her kid to pick up bottles, and hang on the fridge door. When I gently suggest (the third time) that she view the Champagne on the wall, where the lights are on and prices are listed, she immediately pulls another bottle from the fridge and asks how much it is, to which I reply, “the price is right over here, where I’ve asked you to look three times.” She shoots me an icy glare and growls, “Am I doing something that’s bothering you?” Yeah, it’s been that kind of a week.
Endless thanks to our friendly neighborhood regulars who let us vent, and have already heard this one; and to all of our four-legged friends, who lower my blood pressure, daily, with their furry sincerity. You’re always welcome to swing through for dog treats on a walk, whether or not you need a bottle for the road. Aside from the usual seasonal downturn in sales and uptick in obliviousness, we’re seeing a significant rise in attempted fraud, and almost exclusively for one product: Clase Azul Reposado Tequila. In fact, out of everyone (that isn’t already in our system) who has tried to purchase Clase Azul this year, only one person had a credit card with a chip and a valid ID with the same name that was on the card.
Clase Azul is a fraud magnet to a completely unprecedented degree. Most fraudsters want to pay with Apple Pay and show you a picture of an ID on their phone. Because of this, our policy on this product is that if a new customer even mentions Clase Azul, they must present a credit card with a working chip, a valid NY State drivers license in perfect condition, and a third form of ID with the same name. But we’d really prefer to sell what Clase Azul remains to our local friends at a discount, and then stop carrying it entirely. Scroll to the bottom for the details, and a link to the coupon code on our website.
Status quo on our weekly open hours, which look like this (though on nicer days, when folks tend to come in later, we have been staying open later than posted):
Mon – Thurs: 1 – 7pm
Fri – Sat: 1 – 8pm
Sunday: 1 – 7pm
Always worth a call, if you think it’s getting late: 718.643.2250
The website is running well, and there’s some cool new (and old) stuff that’s just been added: www.FreeRangeBrooklyn.com
Here’s your sale of the week; we’ve got 10 bottles left and will not be ordering more:
sale: retail:
Clase Azul Reposado Tequila .750 $119 $135
Cheers,
Jack
Proprietor
Free Range Wine & Spirits
BourbonGeist – Elijah Craig 12 year, End of an Era
Well, I’ve just cleaned out a local discount shop of the last of the 12 year, so I can relay the secret, my personal stash secured.
Elijah Craig 12 year small batch bourbon is one of the very best values in American whiskey. Quality and barrel year per dollar, with an age statement of 12 years, it is (was!) almost always available for under $30 per bottle. These are unheard of numbers in the new American whiskey market, and they’ve finally buckled under its weight.
Last year, when the visually prominent ‘12’ was removed from the Elijah Craig 12 Year label, it seemed they’d eventually be dropping the age statement, as so many have, due to the Boom. Until the most recent batch, the 12 year age statement was still in the very first line on the back of the bottle. The trend in the whiskey world is toward removed aged statements and increasingly mysterious blends. It’s the simplest way to increase production and keep up with demand. Regardless of all technological advancement, it’s still impossible to up production of a twelve year old product tomorrow.
As a nerd and a collector, I would’ve preferred the price of the 12 year increase and a less expensive 8 year be released (or even a 6 and a 9 year, or a 6 and 9 year, or an If 6 was 9 year!). I get why that would be less practical, but it would’ve been much cooler.
Now, the tasting. It’s easy to assume the worst, and at this point the age unknown small batch blend likely contains barrels of 6-12 year old bourbon, but with no statement, it can literally be any age combination. It will likely get younger and younger over time as Heaven Hill struggles to keep up with world thirst. As of today, the 94 proof Elijah Craig Small Batch is a little lighter in color than the last of the 94 proof 12 year, a little less red, slightly more golden, visually. The difference in nose is similar, but a less measurable contrast, the small batch comes off as a little brighter, the 12 year a little deeper, more overt wood, and a ghost of faded smoke.
Flavor-wise, the difference between the two is subtle, but noticeable, though it’s hard to say that my beloved 12 year is empirically better. It’s deeper, darker, more complex, greater overt wood affectation- and all the little secondary and tertiary flavors that go along with that. The small batch is comparatively lighter, sweeter, prettier, livelier, but not hotter. One man’s ‘lighter’ is another man’s ‘flatter’. I’m sure many will prefer one over the other, but I don’t think in a blind panel collective preference would necessarily skew toward the elder.
In short, the quality per dollar is still high in the new NAS (no age statement) Elijah Craig Small Batch; this is not just a cheap imitation of the original. That being said, for your own future enjoyment and edification, you may want to check out your nearest retailer, flip the Elijah Craig bottle(s), and if the back label says ’12 year’, maybe squirrel a couple away. Nobody ever said, “What am I going to do with all this nice 12 year bourbon?”
Free Range Wine and Yo La… wait, what now?
Wow, it’s amazing how opening up a wine shop in Brooklyn can disappear six months of ones life. So, for those of you who don’t already know, I am now the proprietor of Free Range Wine & Spirits at 355 Atlantic Ave, here in Brooklyn, NY. If you’re in the neighborhood, please stop in and say hello.
Also, for those of you who don’t already know, Maxwell’s– Hoboken’s greatest (only relevant) rock club- is closing its doors forever. Recently, the Pastels were slated to play there, with the Condo Fucks (Yo La Tengo’s alter-ego, playing mostly garage covers) opening. While it was sad that the Pastels couldn’t make it stateside for the show due to visa issues, it was glorious kismet that it ended up being an acoustic Yo La Tengo set opening for the Condo Fucks. The show was beautiful and profound and heartbreaking, and was far better assessed by Yo La Historian, Jesse Jarnow, in his review for Spin which you should read. I shot a fair amount of video footage of both sets, much of which is posted on my Vimeo page HERE. Apparently my footage of the very last song will appear tonight on Fuse News, Fuse TV’s 8pET music news show. Once that segment is posted online, I’ll link it.
More soon!
Cheers,
Jack
Friday News Dump: California Classics at Apiary – Ridge and Dunn
Statistics show that nobody reads blogs on Friday, but wine has been tasted and notes have been scratched in purple ink. A couple of nights back, over steak and duck at Apiary, after some 1990 Cote de Beaune and before a couple of stickies, we cracked a trio of American classics; two from Ridge and a Dunn Howell Mountain Cabernet from 1981.
Upon first opening, the Dunn showed surprisingly thin, for a typically long lived wine, but it’s always a journey with these mountain beasts. One of the bottles that first did it for me, one of the first tastes to awaken a real interest, was Dunn’s ‘86 Napa Cab. At the time, my soft palate didn’t know what to make of the monstrous ’86 Howell Mountain Cab, but the harmony of the fruit and the earth I found in that ’86 Napa Cab seemed to me to be all that a big CA red should.
But back to the wine currently staining the linens on the tasting table behind my eyeballs: After about 35 minutes of air, the Dunn Cabernet Howell Mountain 1981 proves to be a slumbering giant, full of burly brambly mountain fruit. The palate is expansive, deeply gripping, and the finish’s long path is peppered with a patchwork of wild woodland herbs. The alcohol pulls in at a clockwork 13%, thought the wine- long integrated as it may be- is many shades heavier.
The Ridge Zinfandel York Creek 1994 also begins a little closed and while the body does build with ample air, this wine is not as lush as previous tastings, though the fruit hasn’t receded entirely. Both color and clarity are still crisp and the wine shows only the slightest hint of its age. The red fruit is still slightly out front of its earth component, but it is no longer penetrating. Forest floor and ancient spice box persist through the subtle, but undulating finish.
The Ridge Geyserville 1992, at this point in its career, is a dead ringer for a fruit forward Napa Cab five or six years its senior. Slip one of these into a blind tasting of late ’80s CA Cabernet and blow some minds/palates. Geyserville is a classic of the Napa establishment, and in my experience, this wine always shows well, though the true aging potential varies from vintage to vintage. I’ve also found that recent vintages seem to drink better younger, making them all the more difficult to squirrel away for further maturity, full integration, and secondary flavor development. For a true classic and always a palate expanding, Ridge Geysereville (and most of Ridge wines besides the Monte Bello) can still be acquired for around (a wholly fair) thirty bucks.
Bottle Variation, Southern Harmony and Andrew Will Merlot Klipsun Vineyard 1999
I have so much backed up material and so many unpublished tasting notes, that I didn’t take down a single word last night at St. Anselm, though we opened and enjoyed: Foris Pinot Noir 2009, Antiqv2s (Antiqus) Syrah Garys’ Vineyard 2004, and Livingston Moffet Cabernet Rockpile Vineyard 1994; all interesting and noteworthy each in their own right.
Re: St. Anselm, I’m not sure there is a better compliment one can give a chef or his team, but I didn’t notice until after we ate that iron-willed head chef and grill-master Yvon was not in the building. Though the pacing seemed a little off (not much of a crime on a sold out Friday night), the various steaks and chops arrived in the glorious state to which St. Anselm patrons have grown accustomed.
Well, I kinda skipped out on that whole new years thing, so my March resolution is to get more material onto/into this blog, starting right now, from piles of backed up notes.
Here’s one:
A note on bottle variation. At a certain level of quality, bottle variation can be a welcome surprise. Case in point, I’ve opened a number of bottles of Andrew Will Klipsun Merlot ’99 in recent months and the last two, had they been poured blind and side by side, I don’t think I would have pinned them as from the same continent or time, let alone the same bottling. The one I opened last night was a surprisingly Bordeaux-like beast showing mainly dark earthy and relatively fruitless characteristics- all damp leaves, pine tar, and forest floor. As a whole this ’99 Klipsun Merlot is drinking more like what I would expect from this label’s Sorella, which is Chris Camarda’s deliberately Bordeaux-style blend. It’s certainly possible that these last two bottles’ contents were identical and that this last couple of weeks aging was a definable turning point, but it’s neither a great chance (given the aging arc of Merlot) nor a verifiable one.
Those deep red and black fruits that were so lush and forward in previous examples of this wine are present here, but more in the capacity of great background harmonies, like Barbara & Joy (aka The Choir) on the Black Crowes’ Southern Harmony and Musical Companion. Speaking of the Black Crowes, I was just listening to Amorica and not many records have a better closing track: a beautifully forlorn road ballad that would be far less without the color fills and purposefully meandering solos of keyboardist Eddie Harsch (Hawrysch). God bless old weird Ed, his rock & roll name, and his important work.
Cheers!
Knuckleballs, Lost Love, and St. Innocent Pinot Noir Shea Vineyard 2001
Two weeks into the new year and I’m already 12 days (and five years) behind on my resolution(s). Back to life… back to reality. Well, if reality were a pile of rare wine and 46oz axe handle ribeyes. I’m so scattered that I’m quoting Soul II Soul, but I digress… from my digression. Red meat & red wine is just one of those (combination of) things, right up there with the all-time greats. And while a number of interesting and beautiful reds (and one white- Wind Gap Trousseau Gris 2011) were sipped over succulent charred animal flesh at St. Anselm, it is the St Innocent Pinot Noir Shea Vineyard 2001 that most warrants documentation.
St. Innocent is one of those great American owner/winemaker situations, where proprietor Mark Vlossak makes some of Oregon’s most compelling (single vineyard) bottled produce. The hardiest examples from the stronger vintages defy the absurd common wisdom that American Pinot Noir doesn’t age well. And the finest expressions of Shea vineyard grapes age as well as any American Pinot Noir; far greater longevity than a francophile will ever admit. And this one is fairly interesting, over a decade after crush.
So, I finally watched Knuckleball, which reminded me acutely that baseball was my first love, well before wine, or even women. If you have ever loved anything about any sport that wasn’t based in some re-wired tribalism, Knuckleball will warm the cockles of your heart. Didn’t know that R.A. Dickey was a born again Christian, but one of many reasons I stopped following organized sports was that I didn’t want to support the livelihood of thugs and felons. So, like saddling up to an Irish bar, let’s leave the religion and politics at the door (for today). But if I find out that Charlie Hough, The Niekro brothers, and Tim Wakefield are all born again, and that only by taking the New Tastament version of Jesus Christ Superstar into one’s heart, can you truly take the spin off of that demoniacle changeup, I’ll be very upset. Regardless, if I do follow baseball this season, it’ll likely be the Blue Jays that interest me. May the force be with you, R.A.
Back to the wine: St. Innocent Pinot Noir Shea Vineyard 2001 is showing slightly less fruit than previous tastings, but no less expansive baseline of furry dry raspberry, brambly, but thornless, and a lesser presence of red cherry. There’s a broad mid-palate of dusty crushed granite, dry earth, pine tar, ancient cedar chips, and just a touch of gaminess. With further breath the mid-palate opens to palate-suckingly dry, before a deceptively long, undulating finish. It’s beautiful stuff, but have a large glass of clear cool water handy. Always remember: Hydration is your friend. It makes tomorrow possible. From the weight and breadth of the St. Innocent Pinot Noir Shea Vineyard 2001, it’s difficult to discern how much life this wine has left in it, but it’s well worth pairing with a well-marbled world-class steak today.