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Flash Sale Sites Part Deux (Vitis.com) and Jack White’s Blunderbuss

April 28, 2012 Leave a comment

One of the quietly classier flash sale wine sites around is Vitis.com. Vitis offers one wine at a time and organizes professional reviews, background and bottle information, and a pairing recipe, in a visually appealing way. Selections can be hit or miss, and as I click over right now, I see yet another Oriel selection. Oriel has been placed widely and repeatedly throughout the flash sale market. I’ve always respected Oriel’s business model, but I’ve never been terribly impressed with their wine per price, and they make much more sense to me at flash sale prices.

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But if you don’t like the deal, just wait for the next e-mail. And when Vitis is on, you can claim some reasonably rare stuff, properly aged, at rock bottom prices, such as the ’01 Alenza Ribera del Duero and the ’95 Felsina Chianti Classico Rancia Riserva, I’ve picked up in recent months, well below market rate.

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Vitis has also had a few of my favored tasty cheapys recently (at lowest national prices): Byron Chardonnay, Marques de Carceres Reserva, and Marti Fabra Masia Carreras, each of which represent excellent with-food drinking per dollar.

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So, I’m listening to Jack White’s new record, Blunderbuss. Jack White is so fucking cool that it kind of pisses me off, though I have begrudging respect for just about everything he does. And as far as people who get to do whatever/wherever/whenever they want, in that Kid Rock on a bender kind of way, he seems to deserve it. And unlike Kid Schlock, Jack White can really play (and write) and he has at least as deep a respect for all that which came before, as all that which lies ahead. He’s constantly working on music in a creative and deliberate way, such that even when I’m not that interested in the resulting recording, his prolific drive is inspiring.

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While I am big fan of the first 3 White Stripes records, most especially De Stijl (unquestionably one of the finest rock records of our time), I haven’t been enthralled with much of White’s recorded work since. I was going to mention what I thought of the new record, but White reminded me, at Stephen Colbert’s expense, that talking about music is bullshit:

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“You want to talk about music? That’s ridiculous. It’s like dancing about architecture or singing about paintings.” – Jack White

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Jack, I’m sure there are a dozen modern dance companies in this town that would be happy to interpret the work of Gaudi, they kind of do that already just by existing. And I’m fairly certain that Dan Bern (who is just one man) has written a dozen songs about paintings and sculptures and plays, though I suppose all of those songs are really about women. And yes, Jack, I take your fairly obvious point, well illustrated, about the singularity of art.

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But I digress. I’m really just waiting around to find out that Jack White doesn’t actually exist and what we believe to be Jack White is really just an intricate Johnny Depp character. Maybe he’s really that good.

Whitcraft Syrah Stolpman Vineyard 2007 and Rana’s Greatest Hits

July 20, 2011 Leave a comment

I enjoy both Whitcraft as a winemaker and Stolpman Vineyards for their fine syrah. I am more familiar with Witcraft for their pinot noir and recently, a nearly decade old Whitcraft Pinot Noir sourced from Bien Nacido Vineyard showed quite favorably, at my table. So, when Whitcraft Syrah Stolpman Vineyard 2007 came up on the boutique flash discount site Lot18, at the lowest available price in the country, I grabbed enough to qualify for free shipping. Speaking of which, Whitcraft Pinot Noir Bien Nacido 2007 is up on Lot18.com right now, expires soon.

Nice wine and a great label font.

I’m listening to Rana’s “Carbombed Again” from their Here in the USA album. Members of Rana are involved in multiple other bands and projects now, though they do occasionally still play together here in the NYC. About a decade ago, they were actively writing effective songs, rocking hard every time out, and packing a small circuit of local clubs. During the stripped down rock resurgence of that time which birthed the White Stripes and the Strokes, Rana seemed poised to get as big as they desired/deserved. Their best stuff like “Carbombed” and “Backstage Pass” sounded undeniably anthemic in their moment(s) and, as of today’s listening, they stand the brutal test of time, like champions.

Having sampled an assortment of  Stolpman syrah as expressed by the winemakers at Ojai, Arcadian, and at Stolpman Vineyards, I know that they grow world class grapes. This Whitcraft Syrah Stolpman 2007 is yet another worthy expression of said lovely fruit. It’s deep, dark, almost opaque red, heading toward black. Is Vamp still a color? The experience opens with a nose of smoked meat and morning fog. The palate is predominantly dry black raspberry and the mouthfeel is lush; it’s dense and brambly, but not biting. This is big, high alcohol (14.9%) syrah, that manages to stop short of brooding. It’s surprisingly integrated for a wine of it’s youth and build, but much of the palate is yet to evolve and it will most certainly benefit from another few years in the cellar, and will likely drink quite well for another decade.